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Dr Karen Pearlman, author of ''Cutting Rhythms, Shaping the Film Edit'' (Focal Press, 2009) is known for her pioneering work in articulating underlying principles concerning what rhythm in film is, how it is shaped and the purpose it serves in modulating cycles of tension and release for viewers.〔 Film Ink, "Cutting Shapes"〕 The focus of her research and teaching as Head of Screen Studies at the Australian Film, Television and Radio School is on the connection of theory and practice and making conceptual thinking accessible and useful to practitioners.〔 UTS: Postgraduate, "Cutting Rhythms"〕 Many of her ideas about rhythm, editing, and affect derive from her career as a professional dancer on the opera house stages of the world with the Bill T. Jones/Arnie Zane Dance Company, and dancing and choreographing in the theatres, lofts and experimental dance venues of Australia, the USA and Europe. As well as using her understanding of kinesthetic empathy in her theorizing, she applies her choreographic sensibility to her own editing and dramaturgy of the multi award winning dance on screen works made by The Physical TV Company, which she co-directs with Richard James Allen.〔Memorabletv.com, "Cutting Rhythms"〕 In 2009 Dr Pearlman was elected President of The Australian Screen Editors Guild (ASE). ==Books== * * * 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Karen Pearlman」の詳細全文を読む スポンサード リンク
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